Larry Snitzler, Classical GuitaristLARRY SNITZLER gave his first classical guitar recital at age 18. Since then he has traveled to 18 countries, giving hundreds of performances of solo recital, concerto, and chamber music. He has been a featured artist at many conservatories and international music festivals where, as well as performing, he has given classes and made presentations in three languages.

Mr. Snitzler began studying the guitar with Sophocles Papas at age 16, after hearing a recording of Andres Segovia. Three years later, Mr. Papas asked Segovia to listen to his pupil, following which the Spanish Maestro invited young Snitzler to attend his master classes at the Accademia Chigiana in Siena, Italy. Thus began a relationship that was to last some twenty-five years. For the next five years, Larry Snitzler was part of a small band of students who literally traveled the world to be a part of the special master classes offered by Andres Segovia whenever, and wherever, he found time for them. (Among the other members of this group were to be found Carlos Barbosa-Lima, Oscar Ghiglia, Michael Lorimer, Aldo Minella, and Chnstopher Parkening.) During this same period, he also studied with the French guitar duo ofAlexandre Lagoya and Ida Presti at the Academie d'Ete, in Nice, France.

In 1967, Larry Snitzler moved to Paris, France for a period of eight years. There, he studied music theory and interpretation with Nadia Boulanger, and began to concertize throughout much of Europe, Africa, and the Middle East. While in Paris, he also studied with guitarist Oscar Ghiglia and composer Jean Catoire. He continued to benefit from the personal advice and counsel of Andres Segovia, until the Maestro's death in 1987.

In July 1986, he was invited to Los Angeles to give a concert in honor of Andres Segovia, as part of a special celebration for the 93 year-old artist who was giving master-classes at the University of Southern California.

Larry Snitzler is a member of The Washington Guitar Quintet, a group that specializes in North and South American and Jazz-oriented music, whose other members are: Charlie Byrd, Phillip Mathieu, Jeffrey Meyerriecks and Myrna Sislen.

Mr. Snitlzer has premiered or been the dedicatee of works by Gilbert Biberian, Stephen Douglas Burton, Jeffrey Meyerriecks, Guido Santorsola, Glenn Smith and Ralph Turek. Mr. Snitzler's own compositions have been described as, "beautifully formed, immediately attractive music," by Joseph McLellan, chief music critic for the Washington Post.

He was long associated with National Public Radio as an on-air host, performer and freelance music producer of various programs and series such as Guitar Notebook, Concert Guitar with Larjy Snitzler, and SEGO VIA! (Now part of the collection of the Museum of Broadcasting.) He is a former contributing editor of; and has written extensively for, the prestigious Guitar Review. His writing occasionally appears in other national and international music journals as well. He is a former co-chair of the Music Advisory Panel of the National Endowment for the Arts, and has been a music consultant to the National Gallery of Art. In 1983, he was invited by Radio France to be an adjudicator for the Concours International de Ia Guitare. He has lectured extensively at the Smithsonian Institution, and has appeared on the Sunday at the Met lecture series at the Metropolitan Museum of Art in New York.

Larry Snitzler records for the Concord concerto label as a member of the Washington Guitar Quintet. He is presently preparing a series of three solo albums.


Sample Program


Variations on "Gua'rdame las Vacas", (1538) Luys de Narvaez
Andante Largo, Opus 5, No.5 Fernando Sor
(1778-1839)
Three Pieces Francisco Tarrega
I Marieta, (Mazurca) (1852-1909)
II Manria, (Gavota)
III Danza Mora
Suite Castellana Federico Moreno-Torroba
I Fandanguiflo (1891-1982)
II Arada
III Danza
Preambulo and Fughetta Manuel Ponce
in the style ofAlessandro Scarlatti (1882-1948)
Trans. By John Marlow

* Intermission *

Mazurka Mexandre Tansman
(1897-1986)
Estudio sin Luz Andres Segovia
(1893-1987)
Three Preriludes Heitor Villa-Lobos
I in a-riinor (1887-1959)
II in e-niinor
III in e-niinor
Two Pieces Isaac Albeniz
Mallorca, (Barcarola), Opus 202 (1860-1909)
Torre Bermeja, (Serenata), Piezas Caracteristicas, Opus 92 - N. 12

 

 

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